Faye Dunaway Accused Roman Polanski of “Incessant Cruelty” on “Chinatown” Set
<img loading=“lazy” src=“https://bestlifeonline.com/wp-content/uploads/sites/3/2024/01/chinatown-main.jpg?quality=82&strip=1&resize=640%2C360" onerror=“this.onerror=null;this.src=‘https://blogger.googleusercontent.com/img/a/AVvXsEhe7F7TRXHtjiKvHb5vS7DmnxvpHiDyoYyYvm1nHB3Qp2_w3BnM6A2eq4v7FYxCC9bfZt3a9vIMtAYEKUiaDQbHMg-ViyGmRIj39MLp0bGFfgfYw1Dc9q_H-T0wiTm3l0Uq42dETrN9eC8aGJ9_IORZsxST1AcLR7np1koOfcc7tnHa4S8Mwz_xD9d0=s16000';" alt=“Faye Dunaway and Roman Polanski filming “Chinatown” - 1”>
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In her 1995 memoir, Looking for Gatsby: My Life , Dunaway wrote about working with Polanski on Chinatown —for which she was nominated for the Oscar for Best Actress—including one incident in which he yanked a flyaway hair out of her head between takes.
“I was furious. ‘Don’t you dare ever do that sort of thing to me again!’ I told him. ‘Don’t even touch me, much less pull a hair out of my head,’” she wrote. But, she added, “It was not the hair, it was the incessant cruelty that I felt, the constant sarcasm, the never-ending need to humiliate me.”
She said that she approached a producer in an attempt to change Polanski’s behavior. “I always felt Roman was treading on me, that he never accorded me any respect,” she continued. “And I deserved respect—I had earned it by that point in my career, and I was due it as a human being.” Dunaway also wrote in her book, “Now I think what he did to me throughout the film bordered on sexual harassment.”
<img loading=“lazy” src=“https://bestlifeonline.com/wp-content/uploads/sites/3/2024/01/dunaway.jpg?quality=82&strip=all&w=500" onerror=“this.onerror=null;this.src=‘https://blogger.googleusercontent.com/img/a/AVvXsEhe7F7TRXHtjiKvHb5vS7DmnxvpHiDyoYyYvm1nHB3Qp2_w3BnM6A2eq4v7FYxCC9bfZt3a9vIMtAYEKUiaDQbHMg-ViyGmRIj39MLp0bGFfgfYw1Dc9q_H-T0wiTm3l0Uq42dETrN9eC8aGJ9_IORZsxST1AcLR7np1koOfcc7tnHa4S8Mwz_xD9d0=s16000';" alt=“Faye Dunaway at the premiere party for “The Towering Inferno” in 1974 - 3”>
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As reported by The Guardian , in the book Easy Riders, Raging Bulls , author Peter Biskind claims that on the Chinatown set, Dunaway threw a cup of her urine at Polanski as revenge for him not giving her a bathroom break. In 2008, a journalist from The Guardian asked her about this. She was outraged at the question and ended the interview.
“I won’t respond to that,” she said. “That doesn’t even deserve the dignity of a response. I don’t know the details of that. It is absolutely ridiculous … It is insulting that you would even bring it up!”
In Looking for Gatsby —decades before the Guardian interview—Dunaway explained that she was over being asked about Polanski. “There isn’t a single shark of a reporter to this day who doesn’t try to make the episode in Chinatown a defining one in my life,” she said. “No one talks about my work with [Elia] Kazan , [Sidney] Lumet , [Sydney] Pollack , [Norman] Jewison , [Steve] McQueen , [Jack] Nicholson , [Paddy] Chayefsky , all the great experiences I’ve had. But my falling out with Roman, I am always asked to explain.”
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Also in her book, Dunaway wrote about Polanski’s preference for “young girls” and explained that his distaste for her might have been connected to this.
“He always hung out with very young girls,” she wrote. “Young girls are not threatening, young girls don’t have ideas, they’re not independent, and I was all of those. I was a pretty considerable actress by that time, as well, with strong opinions about my work. Those differences set the stage for a clash.”
She also described the Rosemary’s Baby director as “very much an autocrat, always forcing things.” She continued, “It ranged from the physical to the mental. He was very domineering and abrasive and made it clear he wanted to manipulate the performance. That approach has never succeeded with me.”
As for Polanski’s take on their feud, according to The Independent, he once called Dunaway “a gigantic pain,” which contributed to her reputation as difficult to work with.
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In a 2013 interview with The Independent , Dunaway said that “too much” was made out of her issues with Polanski.
“[Polanski] is that way [dictatorial],” she said. “He knows what he wants and he is collaborative as well, but he has a manner that is off-putting sometimes. We were still in my time used to kindness and to consideration and all that. Roman in a mad moment couldn’t get rid of a hair from my face. It offended me, obviously, but it was way too much made out of it. It was only one hair. But I did enjoy working with him, he’s a great director.”
